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Clef: BassBass
Unique Durations: 6-7
Unique Accidentals: 2
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Baroque
Cello solo: Canon In D, P.37
yyaname
2:44 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 17 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 17 0 2 6 100%
 
Rule Britannia by Thomas Augustine Arne
ChurchOrganist
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 4 100%
Bassoon Bass 18 0 5 4 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 4 100%
Bassoon Bass 18 0 5 4 92%
Violins
1		 Treble 16 0 5 7 79%
Violins
2		 Treble 16 0 6 5 75%
Timpani Bass 2 0 0 6 71%
Trumpets
1
amp;
2		 Treble 11 0 1 7 69%
Oboe
1 Oboe
2		 Treble 11 0 4 7 48%
Treble 11 0 4 6 58%
Violas 11 0 3 5 58%
Alfred Treble 10 0 3 7 52%
Alto Treble 6 0 1 7 20%
Bass Bass 6 0 2 7 20%
Soprano Treble 7 0 2 6 20%
Tenor Treble 5 0 1 7 20%
 
HWV58A3N2 - Leave me, loathsome light
edward.maurath
3:13 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 18 10 3 5 96%
Bass 18 1 3 3 100%
Organ Continuo Treble 21 10 3 5 96%
Bass 18 2 3 3 100%
Cello Continuo Bass 18 0 3 3 100%
Double
Bass Continuo		 Bass 17 0 3 3 100%
Viola 16 0 3 4 90%
Violin
1		 Treble 15 0 1 3 90%
Violin
2		 Treble 16 0 3 5 90%
Bass Bass 13 0 2 6 79%
 
J.S. Bach Organ Themes for Strings and Woodwind Quartet
DaPlipsta
3:09 Est. Play
Time
65 Measures
1,383Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabassi Bass 13 0 2 6 92%
Violoncelli Bass 17 0 5 7 85%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabassi Bass 13 0 2 6 92%
Violoncelli Bass 17 0 5 7 85%
B
Clarinet		 Treble 18 0 7 9 78%
Flute Treble 17 0 4 8 78%
Oboe Treble 18 0 5 8 63%
Violins
2		 Treble 18 0 6 8 63%
Violins
1		 Treble 16 0 3 7 52%
Violas 20 0 6 7 49%
Bassoon Bass 18 0 3 8 43%
 
Etude in G Minor - "Barcollare"
The Curator 14
1:07 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 4 6 6 98%
Bass 17 18 2 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 4 6 6 98%
Bass 17 18 2 6 88%
 
The Prince of Denmarks March Brass Quintet
Flávio Régis Cunha
2:10 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 1 6 100%
Trombone Bass 13 0 2 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 1 6 100%
Trombone Bass 13 0 2 6 100%
Trumpet
I
in
C		 Treble 12 0 2 8 100%
Trumpet
II
in
C		 Treble 15 0 2 7 100%
Tuba Bass 12 0 2 5 79%
Timpani Bass 2 0 0 7 49%
 
Eternal Source of Light Divine - G. F. Händel
Yasmineleches
3:02 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 10 0 1 9 68%
Bass 17 0 4 9 84%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 10 0 1 9 68%
Bass 17 0 4 9 84%
Bass 13 0 2 6 100%
Bass 16 0 3 5 97%
 
Die Sieben Worte Jesu Christi am Kreuz
Presently42
16:34 Est. Play
Time
376 Measures
2,041Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuus Bass 22 1 7 7 100%
Tenor
II		 Treble 14 0 5 9 47%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuus Bass 22 1 7 7 100%
Tenor
II		 Treble 14 0 5 9 47%
Tenor
I		 Treble 14 0 4 9 42%
Vox
suprema instrumentalis		 Treble 14 0 5 6 36%
Altus
instrumentalis		 15 0 5 6 35%
Altus Treble 11 0 3 9 34%
Cantus Treble 15 0 6 9 31%
Bassus Bass 16 0 6 9 30%
Tenor
instrumentalis
II		 Bass 10 0 2 6 16%
Bass 9 0 2 5 16%
Bassus
instrumentalis		 Bass 15 0 5 6 16%
 
Sonata Tertia by Johann Heinrich Schmelzer
adflord
7:09 Est. Play
Time
149 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 9 0 2 6 100%
Violin Treble 34 3 12 9 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 9 0 2 6 100%
Violin Treble 34 3 12 9 99%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
Newe ausserlesene Paduanen und Galliarden (1614)
partoches17
3:04 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
5 Bass 13 0 3 7 100%
Violon Treble 15 0 4 6 100%
Viole
de
gambe		 Bass 12 0 2 7 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
5 Bass 13 0 3 7 100%
Violon Treble 15 0 4 6 100%
Viole
de
gambe		 Bass 12 0 2 7 96%
 
Study for Harpsichord
Isaac S.
2:10 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 22 3 7 93%
Bass 13 1 2 7 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 22 3 7 93%
Bass 13 1 2 7 97%
 
Morlake's Ground
johnsmith1
3:06 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 17 2 12 97%
Bass 22 6 2 6 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 17 2 12 97%
Bass 22 6 2 6 99%
 
Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238
edward.maurath
3:45 Est. Play
Time
56 Measures
1,423Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 88%
Treble 11 0 2 7 91%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 88%
Treble 11 0 2 7 91%
Soprano Treble 14 0 2 7 89%
Treble 14 0 2 7 80%
Tenor Treble 12 0 1 7 79%
Treble 13 0 1 7 88%
Organ Treble 19 32 3 7 87%
Organ Treble 19 19 2 7 84%
Violin
2		 Treble 12 0 2 6 75%
Treble 16 0 2 7 84%
Continuo Bass 16 0 1 7 77%
Bass 19 0 2 7 81%
Cello Continuo Bass 15 0 1 7 75%
Bass 17 0 2 7 80%
Violone Continuo Bass 15 0 1 7 75%
Bass 17 0 2 7 80%
Violin
1		 Treble 17 0 3 7 80%
Treble 13 0 2 7 68%
Viola Treble 16 0 1 7 79%
Treble 12 0 1 7 70%
Bass Bass 13 0 0 7 68%
Bass 15 0 2 6 73%
 
Schelle, Johann : Komm Jesu komm (trans)
Haricophile
2:57 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 33 3 7 100%
Bass 14 14 3 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 33 3 7 100%
Bass 14 14 3 6 100%
Alto Treble 7 0 1 7 100%
Basse Bass 9 0 2 7 100%
Mezzo-soprano Treble 8 0 2 7 100%
Soprano Treble 9 0 2 7 100%
Ténor Treble 8 0 2 6 100%
 
Handel: HWV 57: Samson, "Total Eclipse"
edward.maurath
3:16 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 55 9 8 95%
Bass 21 8 3 6 92%
Cello Bass 17 0 3 6 87%
Violins
1		 Treble 17 0 1 7 75%
Violins
2		 Treble 16 0 1 8 75%
Samson Treble 15 0 5 6 72%
CBass Bass 16 0 2 6 69%
Violoncellos Bass 16 0 2 6 69%